These two share the same tonality and scordatura. The order listed below seeks to avoid repeating the same tonality in consecutive pieces for maximum contrast, with the exception of Cataluña and Sevilla. For one thing, it was impossible to preserve the original keys of all the movements as tonality choices are fewer in the guitar than in the piano. In this edition, I have kept the order of the movements as they were originally published in 1912, though I do not believe that this is necessarily the most effective order in which to perform them. They will also notice some significant changes to Asturias, but the original five movements from my first publication remain almost exactly the same, with just a few small exceptions. Guitarists familiar with my 1992 EMI recording will notice some clear differences between that recording of Castilla and Aragón and this publication. Now, more than 25 years later, it is finally done!
I knew then that I would want to revise them at a later date to try to make them more guitaristic.
I felt they were difficult to the point of being practically unplayable and did not flow well from the guitar. I never published the 1992 version, mostly because I was not quite happy with my transcriptions of Castilla and Aragón. In 1992, I recorded it once again, this time including all eight movements of the expanded 1912 publication of the suite.
Isaac albeniz asturias guitar sheet music plus#
It contained the original four movements of the first published version of the suite: Granada, Cataluña, Sevilla, and Cuba, plus I included Cádiz. In 1981, I published a transcription of the Suite Española by Isaac Albéniz, which I had recorded in 1979.
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